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    <loc>https://www.artenthusiasm.com/home</loc>
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    <lastmod>2020-02-15</lastmod>
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  <url>
    <loc>https://www.artenthusiasm.com/home/karel-appel-at-the-rijksmusuem</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-12</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1578604662523-7E6UU4IWG75OT8O5JIJP/IMG_4030.jpeg</image:loc>
      <image:title>Home - Karel Appel at the Rijksmusuem</image:title>
      <image:caption>Child with Donkey (oil on canvas, 1949) The tag says “In 1949 the smouldering eyes of Appel’s figures of children caused a great deal of discomfort among the public. The silent reproach in their gazes even led to his wall painting “Questioning Children” in the Amsterdam city hall being covered over. “Appel began painting children after a trip through post-war Germany. The misery of the often orphaned, hungry, and begging war children made an indelible impression on him.”</image:caption>
    </image:image>
    <image:image>
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      <image:title>Home - Karel Appel at the Rijksmusuem</image:title>
      <image:caption>Rembrandt’s “The Night Watch”, 1642.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1578604630934-RCTI3ATYWACDS9AQ466C/IMG_4024.jpeg</image:loc>
      <image:title>Home - Karel Appel at the Rijksmusuem</image:title>
      <image:caption>The Encounter (oil on canvas, 1951) From the tag: "Karel Appel painted spontaneously, without making preliminary studies, which explains why this composition just barely fits on the canvas, if at all. While painting he imagined a meeting fo exotic, brightly coloured creatures. Yet, the red, white, and blue in this painting have the same brightness as the colours of the Dutch flag.”</image:caption>
    </image:image>
    <image:image>
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      <image:title>Home - Karel Appel at the Rijksmusuem</image:title>
      <image:caption>The Square Man (oil on canvas, 1951). This male figure with a fierce gaze just barely fits into the almost square picture plane. Its head is about as large as its body. The composition is built up of flat planes and lines, which are intersected by a spine cutting straight through the body. Its arms spread wide apart and genitals boldly exposed, this colourful character forces itself on everyone. “</image:caption>
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  <url>
    <loc>https://www.artenthusiasm.com/home/graffiti-on-the-streets-montreal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-12</lastmod>
  </url>
  <url>
    <loc>https://www.artenthusiasm.com/home/schipol-clock-maarten-baas-real-time-installation</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-12</lastmod>
  </url>
  <url>
    <loc>https://www.artenthusiasm.com/home/graffiti-on-the-street-box-vincent-in-montreal</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579900907611-IMCXYFQTL5G2C30I6H63/Vincent.jpg</image:loc>
      <image:title>Home - Graffiti on the Street: Box Vincent in Montreal</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.artenthusiasm.com/home/barry-ace-moccasins-at-the-national-gallery-of-canada</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-24</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579896319633-TSC59DA592KQNOQL66ZU/Barry+Ace+3.jpg</image:loc>
      <image:title>Home - Barry Ace Moccasins at the National Gallery of Canada</image:title>
      <image:caption>It’s a challenge to get a good shot of these.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579896489192-03PKF7HAT6MMDZQ0Z4P8/Barry+Ace+2.jpg</image:loc>
      <image:title>Home - Barry Ace Moccasins at the National Gallery of Canada</image:title>
      <image:caption>Elegant and sculptural. These photos were taken at the opening (best attended opening reception in gallery history I believe). If you can, try to get some alone time with these.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579896220083-U414QDBFX9OB46MUGJQ5/Barry+Ace.jpg</image:loc>
      <image:title>Home - Barry Ace Moccasins at the National Gallery of Canada</image:title>
      <image:caption>Close up of “beads”—capacitors, resistors, and LEDs along with copper beads.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artenthusiasm.com/home/public-art-seesaws-in-manhattan</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1580573386812-LVY3L3OUGW71MA2KQJHY/seesaw++4.jpg</image:loc>
      <image:title>Home - Public Art: Seesaws in Manhattan</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1580572823188-IUQ13FQWV0V1D6SBHWSP/Seesaw+2.jpg</image:loc>
      <image:title>Home - Public Art: Seesaws in Manhattan</image:title>
      <image:caption>This block of Broadway—between 37th and 38th streets, has been blocked off for the seesaws and a few tables and chairs.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artenthusiasm.com/home/remembering-john-baldessari</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1578866254735-08SVKQG8LISATZZAEKA3/IMG_4254.jpeg</image:loc>
      <image:title>Home - Remembering John Baldessari (born in 1931, died January 2, 2020</image:title>
      <image:caption>Photos documenting the destruction and cremation of the art.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1578621917540-OSRZ1NZ3W54F9QFE6N6O/IMG_4253.jpeg</image:loc>
      <image:title>Home - Remembering John Baldessari (born in 1931, died January 2, 2020</image:title>
      <image:caption>The cookies, which he called “Corpus Wafers”.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1578866293306-881Y2GB3DHHO11VW0FP1/IMG_4255.jpeg</image:loc>
      <image:title>Home - Remembering John Baldessari (born in 1931, died January 2, 2020</image:title>
      <image:caption>Yellowed newspaper and recipe card. Note, these are really bad photos of the cookies from whatever generation iPhone I had at the time in the really awful lighting. The Hirshhorn can really feel like a Brutalist bunker sometimes.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artenthusiasm.com/home/graffiti-on-the-streets-tijuana</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-12</lastmod>
  </url>
  <url>
    <loc>https://www.artenthusiasm.com/home/graffiti-in-the-streets-cranio-in-so-paolo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-14</lastmod>
  </url>
  <url>
    <loc>https://www.artenthusiasm.com/home/graffiti-on-the-street-ghent-gallery</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579362799594-M0DI53IT48914UI9HOIG/IMG_5692.jpeg</image:loc>
      <image:title>Home - Graffiti on the Street: Ghent Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579362959353-SNHLUZX8CEIIQLKVG7D5/IMG_5668.jpeg</image:loc>
      <image:title>Home - Graffiti on the Street: Ghent Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579362944482-HZZZ9FX0RSXS4RTY9SKU/IMG_5681.jpeg</image:loc>
      <image:title>Home - Graffiti on the Street: Ghent Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579362955458-8FVHLH7YY6YAQDHO3XHU/IMG_5672.jpeg</image:loc>
      <image:title>Home - Graffiti on the Street: Ghent Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579362944569-7VA9K1GQW4QEIK2YYM3Q/IMG_5680.jpeg</image:loc>
      <image:title>Home - Graffiti on the Street: Ghent Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579362954841-864VB57C1OA2CJ9X8SAV/IMG_5669.jpeg</image:loc>
      <image:title>Home - Graffiti on the Street: Ghent Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579362949481-U7J1VX7PTN0WW25YLZ1H/IMG_5679.jpeg</image:loc>
      <image:title>Home - Graffiti on the Street: Ghent Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579362959825-YKOOCFJ0HAXGKTD71TCT/IMG_5666.jpeg</image:loc>
      <image:title>Home - Graffiti on the Street: Ghent Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579363501368-067AZLMDW5ECG11G6B0B/IMG_5707.jpeg</image:loc>
      <image:title>Home - Graffiti on the Street: Ghent Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579363447333-NOPIEVHH4JS9I1Z98Q0T/IMG_5673.jpeg</image:loc>
      <image:title>Home - Graffiti on the Street: Ghent Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579363278881-84GTNOMLY78Q54ASYF31/IMG_5670.jpeg</image:loc>
      <image:title>Home - Graffiti on the Street: Ghent Gallery</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579363825574-EO7IRB0PBDNHV2UFF1W4/IMG_5647.jpeg</image:loc>
      <image:title>Home - Graffiti on the Street: Ghent Gallery</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.artenthusiasm.com/home/yayoi-kusamas-lets-survive-forever-infinity-mirrored-room-at-the-ago</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1578676904220-USD6083LOSX4HA0NCPYK/kusama+pano.jpg</image:loc>
      <image:title>Home - Yayoi Kusama's "Let's Survive Forever" Infinity Mirrored Room at the AGO</image:title>
      <image:caption>Seeing the piece with my husband and my mother—it looks like blocking for a play. This image is deceptive because instead of being spread out, the piece surrounds the viewer. I will try to figure out a 360 view but this gives an idea of the relative size of the balls and how they pull you into mini worlds.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1578676623523-456ALSAU2ZRI57E145UE/HipstamaticPhoto-592688181.626691.JPG</image:loc>
      <image:title>Home - Yayoi Kusama's "Let's Survive Forever" Infinity Mirrored Room at the AGO</image:title>
      <image:caption>I love this image of myself, and my iPhone, reflected in Kusama’s piece.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artenthusiasm.com/home/kehinde-wiley-rumors-of-war</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1578596140709-AAJ6KNWF1PXUTAPJ3KUG/IMG_5178.jpg</image:loc>
      <image:title>Home - Kehinde Wiley: Rumors of War</image:title>
      <image:caption>It’s a monumental equestrian sculpture, and an event.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artenthusiasm.com/home/kandinsky-retrospective-at-the-guggenheim-2009-1</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1578601367635-BX9FZI7K1BFE6X9VQR6G/Guggcove-edit4.jpg</image:loc>
      <image:title>Home - Kandinsky Retrospective at the Guggenheim 2009</image:title>
      <image:caption>Clandestine shot from an early iPhone across the rotunda of the Guggenheim. You can see some of Kandinsky’s most beloved works (with titles like “Composition 8” and “In the Black Square”)</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1578602057079-FMOE3NQWW8CYF7QGR6BS/IMG_238DADF06BD6-1.jpeg</image:loc>
      <image:title>Home - Kandinsky Retrospective at the Guggenheim 2009</image:title>
      <image:caption>My current iPhone lock screen.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>https://www.artenthusiasm.com/home/mr-pacha-in-panama-city</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-12</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1578524044936-9I7X5TTNKG6YAN3FWTZ5/IMG_3537.jpg</image:loc>
      <image:title>Home - Mr Pacha in Panama City</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.artenthusiasm.com/home/196-nations-in-order-of-size</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-13</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1578884443679-RF5GV7M7A7TPHSVQ8FNC/IMG_2260.jpeg</image:loc>
      <image:title>Home - 196 Nations in Order of Size</image:title>
    </image:image>
  </url>
  <url>
    <loc>https://www.artenthusiasm.com/home/visiting-moma-hello-again</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-02-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1580962190369-KUS59JGL38A1UJWRMZZI/IMG_0787.jpeg</image:loc>
      <image:title>Home - Visiting MoMA: shining a light on women artists</image:title>
      <image:caption>Alexandra Exter Russian, 1882-1949. Construction, 1922-23 Oil on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1580961271147-NACWEEYJ5HXIDLP8ZO22/IMG_0704.jpeg</image:loc>
      <image:title>Home - Visiting MoMA: shining a light on women artists</image:title>
      <image:caption>Janet Sobel American, born Ukraine. 1894-1968 Milky Way, 1945 Enamel on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1580961901308-FKESF9IPHH39TO49H5GS/IMG_0732.jpeg</image:loc>
      <image:title>Home - Visiting MoMA: shining a light on women artists</image:title>
      <image:caption>Gertrude Greene American, 1904-1956 Construction, 1935 painted wood, board, and metal.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1580997852209-6TI2NVD5MHWG9IKG48H3/IMG_0881.jpeg</image:loc>
      <image:title>Home - Visiting MoMA: shining a light on women artists</image:title>
      <image:caption>Alice Neel American 1900-1984 Georgie Arce, 1952 Oil on canvas. From the gallery label: “I love you Harlem,” Neel wrote in her diary in the early 1940s, “for the rich deep vein of human feeling buried under your fire engines.” Born in Pennsylvania, Neel lived from 1938 to 1962 in Spanish Harlem, where she painted portraits of her friends, family, neighbors, and fellow artists. A chance encounter with a boy named Georgie Arce on a local street sparked a lasting friendship; Neel went on to sketch and paint him several times. Here, she describes him in thick black contours and loose brushstrokes reminiscent of 1920s German Expressionism, an important aesthetic touchstone for her.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1580945581070-SEGRG2Z20Y8JRMI3CH64/IMG_0910.jpg</image:loc>
      <image:title>Home - Visiting MoMA: shining a light on women artists</image:title>
      <image:caption>The $450 million expansion has added 47,000 more square feet.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1580996448647-PNC7S5S13HLSZNJYKJDF/IMG_0809.jpeg</image:loc>
      <image:title>Home - Visiting MoMA: shining a light on women artists</image:title>
      <image:caption>Sophie Taeuber-Arp Swiss, 1889-1943 Head 1920 Painted wood with glass beads on wire.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1580997422831-8I4D6C4A4XGYK61XERK4/IMG_0863.jpeg</image:loc>
      <image:title>Home - Visiting MoMA: shining a light on women artists</image:title>
      <image:caption>Grace Hartigan American 1922-2008. Shinnecock Canal 1957. Oil on canvas.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1580996741473-IEH82LLGW4TE9R02RR0Y/IMG_0821.jpeg</image:loc>
      <image:title>Home - Visiting MoMA: shining a light on women artists</image:title>
      <image:caption>Katherine S. Dreier American, 1877-1952 Abstract Portrait of Marcel Duchamp 1918 Oil on canvas. From the MoMA text: “Dreier described her painting of Marcel Duchamp as a “psychological portrait” that captures his character through color and form. The two artists were lifelong friends, and it seems he liked the way she depicted him: it was Duchamp who encouraged MoMA to acquire Dreier’s painting. In 1920 they cofounded the Société Anonyme, which organized numerous exhibitions of European and American modern art. Dreier also amassed a private collection featuring an array of artists. Upon her death she made Duchamp an executor of her estate enabling him to gift artworks to MoMA including many of his own…”</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1580999314887-1J67NNF4MUIVQ3756KA4/IMG_0893+edit.jpg</image:loc>
      <image:title>Home - Visiting MoMA: shining a light on women artists</image:title>
      <image:caption>Honoré Sharrer American, 1920-2009 Workers and Paintings, 1943 Oil on board From the gallery label: Sharrer worked downtown, near Manhattan’s Union Square, but shared with her Harlem peers a desire to celebrate “ordinary people.” “It is these distinguished-undistinguished players,” she said, “that moved and interested me.” Sharrer depicts American families presenting and reacting to well-known paintings, including Grant Wood’s iconic American Gothic (1930) and Pablo Picasso’s Girl before a Mirror (1932). In different ways, most of the artists she chose to represent here—including the French realist Jean-François Millet and the Mexican muralist Diego Rivera—were known for their sympathetic portrayals of working people.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1580962428154-OLQ12HZF44KV92MIWO22/IMG_0790.jpeg</image:loc>
      <image:title>Home - Visiting MoMA: shining a light on women artists</image:title>
      <image:caption>Katarzyna Kobro Polish, born Russia. 1898-1951 Spatial Composition (5) 1929 Painted steel. From the MoMA text: ”This work—one of Korbro’s eight Spatial Compositions, all made of painted steel—reflects her view of sculpture as a tool for “the shaping of space” rather than of mass, which she saw as “a betrayal of the essence of sculpture.” Her goal in creating these abstract forms was to achieve a unity between the work and its environment, a quality she found lacking in traditional sculpture.To that end, she used think, intersecting planes to create spatially open structures that have an architectural feel. Kobro believed that sculpture could function as a prototype for new urban structures and forms of experience. This is one of the few remaining works by the artist because Nazis ransacked her studio and destroyed almost all its contents in 1939.”</image:caption>
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      <image:title>Home - Visiting MoMA: shining a light on women artists</image:title>
      <image:caption>Paula Modersohn-Becker German, 1876-1907 Self-Portrait with Two Flowers in Her Raised Left Hand 1907. Oil on canvas. From the MoMA gallery text: ”In this self-portrait, the pregnant artist looks out at us with a steady, self-possessed gaze. She rests one hand protectively on her swelling belly, and raises the other to hold two flowers—symbols of fertility. Modersohn-Becker is believed to have been the first woman to paint herself while pregnant. She was also one of the first German artists to experiment with the audacious color and simplified forms of modernism and too pursue the emotional charge such distortion s might provoke. “Personal feeling",” she wrote, “is the main thing.” This was among the last paintings the artist made: she died of complications from childbirth later the same year.</image:caption>
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    <image:image>
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      <image:title>Home - Visiting MoMA: shining a light on women artists</image:title>
      <image:caption>Alice Neel American, 1900-1984 Sam and Richard, 1940 Oil pastel on colored paper</image:caption>
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  <url>
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    <lastmod>2020-02-01</lastmod>
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      <image:title>Home - Graffiti on the Streets: Montreal</image:title>
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    <lastmod>2020-02-07</lastmod>
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      <image:title>Home - Pilgrimage: Seeing Monkman at the Met</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1580932566325-PGF7UTS9RZYZPQWM9W8U/IMG_0414.jpeg</image:loc>
      <image:title>Home - Pilgrimage: Seeing Monkman at the Met</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1580932552363-IXMQJXE2HEU1SIVVHZFC/IMG_0411.jpeg</image:loc>
      <image:title>Home - Pilgrimage: Seeing Monkman at the Met</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1580931646326-31ZYKYNXCQK2YB28E3FO/IMG_0413.jpeg</image:loc>
      <image:title>Home - Pilgrimage: Seeing Monkman at the Met</image:title>
      <image:caption>In the great hall, in front of cloak room across from ticket sales, next to classical statue.</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1580932065552-Z3G9CVFRJ6NQ3OAI9KR6/image-asset.jpeg</image:loc>
      <image:title>Home - Pilgrimage: Seeing Monkman at the Met</image:title>
      <image:caption>Welcoming the Newcomers, 2019. Acrylic on canvas, 132 x 264 in. (335.28 x 670.6 cm).</image:caption>
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      <image:title>Home - Pilgrimage: Seeing Monkman at the Met</image:title>
      <image:caption>Resurgence of the People, 2019. Acrylic on canvas, 132 x 264 in. (335.28 x 670.6 cm).</image:caption>
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  <url>
    <loc>https://www.artenthusiasm.com/home/caillebottes-floor-scrapers-at-the-muse-dorsay</loc>
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    <lastmod>2020-01-16</lastmod>
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      <image:title>Home - Caillebotte's "Floor Scrapers" at the Musée D'Orsay</image:title>
      <image:caption>From Wikimedia Commons—File:Gustave Caillebotte - The Floor Planers - Google Art Project.jpg</image:caption>
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    <lastmod>2020-01-20</lastmod>
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      <image:title>Home - Jenny Holzer: at the Aria in Las Vegas</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579489336211-75WAYV5I4D7MHQSEB9NW/OriginalPhoto-576371957.468313.JPG</image:loc>
      <image:title>Home - Jenny Holzer: at the Aria in Las Vegas</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579489342478-8EMGZ70PF481DMXO6FN7/OriginalPhoto-576371987.846894.JPG</image:loc>
      <image:title>Home - Jenny Holzer: at the Aria in Las Vegas</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/5e15134eda8b285e2d16e9cb/1579489343451-DYH967OL4TJOZXQKML8N/OriginalPhoto-576371998.939676.JPG</image:loc>
      <image:title>Home - Jenny Holzer: at the Aria in Las Vegas</image:title>
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      <image:title>Home - Jenny Holzer: at the Aria in Las Vegas</image:title>
      <image:caption>“Truisms” by Jenny Holzer, 2010, an installation at the Aria Hotel North Valet station, Las Vegas.</image:caption>
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      <image:caption>With Richard Serra sculpture “Tilted Spheres” in Toronto International Airport (2016)</image:caption>
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      <image:caption>At the Seattle Museum of Art, March 2018.</image:caption>
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